Sometimes a chance meeting in a bathroom is all it takes. Two women are forever changed when they decide to take a road trip together from Portugal to Spain, where what begins as an otherworldly escapade quickly reveals secrets and truths that will shake them to the core.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

A propulsive narrative chronicling the fight for racial justice in America, from Obama's election to Black Lives Matter, highlighting the heroic individuals who sparked change.

Seongbin, che ha una madre sorda, si sente frustrato dalla sua incapacità di comunicare in modo efficace. Un giorno lei porta il figlio a comprare i pastelli. Tuttavia, a causa di difficoltà di comunicazione, scendono per errore da un taxi nel posto sbagliato e finiscono per camminare a vuoto per ritrovare la strada. Durante questo viaggio inaspettato, costruiscono ricordi e arrivano a comprendere i sentimenti dell'altro

[We Flash] aespa Fashion Survival 　　패션계 거물들이 벌이는 세기의 대결 🏆

RIIZE的内容《WE RIIZE》通过YouTube RIIZE频道依次公开，可以看到在舞台之外有趣的情景剧中RIIZE愉快的团队默契和成员们隐藏的反转魅力。 特别是RIIZE作为由7位最精锐的成员组成的团队，以实现的“Real Time Odyssey(成长史)”为基础展开活动，《WE RIIZE》也真实地反映了成员们关心的事物与角色，预计提高投入感。

“All In” tells the emancipation story of a young Muslim woman who immerses herself in the male-dominated poker milieu in order to realize her dream of becoming an astronaut.

Shot between Hong Kong, Japan, and the US, this short is Joshua Gen Solondz’s most ambitious work to date, a portrait of the home and the world that is dense, textured, creepy, anxious, noisy, silly, and confounding, but always tender.